Here’s the funny thing about improv and letting go of thinking. When I first started taking classes and then performing, two games scared the ever-loving crap out of me: “What are you doing?” and “Da Doo Ron Ron.” For the life of me, in “What Are You Doing,” I couldn’t come up with descriptions of what I was doing and had a really hard time avoiding the dreaded and prohibited “I’m…” The reason “I’m” isn’t allowed is because it’s a form of hesitating — although we certainly hear it in the clip linked above. (Side note: although this is a ComedySportz LA clip from almost seven years ago, some of the players here are still with us.
And in the latter game, “Da Doo Ron Ron, I used to consistently stumble over my own tongue by either whiffing the rhyme or repeating someone else and always getting called outta there no later than third. Note that the linked version here is from a different city, so they do it slightly differently than we do, with the “5, 6, 7, 8” intro, and by rotating players instead of eliminating them. And, although this is a ComedySportz clip from New Orleans from over a decade ago… yeah, you guessed it. I know one of the players here, who is now on the Los Angeles team.
If you didn’t get it from the videos or didn’t watch the videos, I’ll give some explanation. “What Are You Doing” is an opener game, and it works like this. There’s an audience suggestion of a place, occupation, or theme, like “Pet Store.” First player starts with a motion that’s totally random. Other player demands, “What Are You Doing?” And first player replies with something related to the suggestion, like, “Feeding hamsters!” but which has nothing at all to do with the gestures they’re making. Second player acts out feeding hamsters, then first player demands “What Are You Doing?” and second player describes something completely different from the action but related to the suggestion, like “grooming puppies!” It continues until someone hesitates or whiffs it entirely.
Later on in the game, there’s an extra complication. The Ref will ask an audience member, “What are you initials,” getting either two or three. After that, all of the answers to “What Are You Doing” have to start with those letters. For example, if the letters are PJB, you’d get stuff like “Projecting jelly beans” or “Pretending Jedis breathe” or “Postulating justifiable bingos,” or whatever. And it can get messy fast, but in a good way — the more nonsensical the better, because then there’s the added challenge of the players having to act out things that are totally non-existent or even impossible.
The other game, “Da Doo Ron Ron,” is a singing and rhyming game that I’ve written about before, although not by name. It’s based on the old song. The pattern is pretty simple. The Ref gets a name, then person one sings a line that ends with that name: “I met a dude whose name was Pete” — “Da doo ron ron, da doo ron ron.” The next person rhymes that: “He was really very sweet,” followed by “Da doo ron ron, da doo ron ron.” And now it gets tricky, because the next player has to come up with three rhymes, and fast. “Da doo doo, yeah?” “He has big feet.” “Da doo doo, yeah?” “He doesn’t eat meat.” “Da doo doo, yeah?” “He hates defeat.” “Da doo ron ron, da doo ron ron.”
One of the games within the game is turning that “yeah” into a challenge to the player who has to come up with the three rhymes, as if we’re basically saying, “So, what you got?” The other complication is that each time around after someone gets called out, the tempo gets faster.
So, back to the top… way back when I was learning improv, both of these games scared the living shit out of me, but then a funny thing happened as I’ve played them more and more and let go of the thinky part of my brain. I’ve relaxed into them, and these games that used to terrify me have become two of my favorites to play. And I’ve somehow managed to pretty consistently make it to the final round in “Da Doo Ron Ron” every damn time, as well as at least carry out much longer streaks in “What are you doing?” than I ever did before.
For “What Are You Doing,” it really is a matter of not planning ahead at all, which is especially fun when we get into the initials part of it. For “Da Doo,” there is some planning, but it’s really only a matter of holding three rhymes in my head at all times, then replacing any that get used — but the important part of that strategy is listening so that I can make the switch while remembering what’s already been used.
The next thing on my “Holy crap that scares me” list? Scene games. But I’m guessing that my amazing coach already knows that, and has a plan to guide me through that nasty land mine of terror.
And did I mention that doing this thing that once upon a time terrified me has actually turned out to be the bestest thing ever? ‘Cause, yeah… it has. Well, okay. Second bestest. The bestest wold be a human being, but they also never terrified me, so there’s that.