For this weeks “Famous Duets” theme, we have a return of the song Baby It’s Cold Outside, this time as it originally appeared in the 1949 film Neptune’s Daughter, and if the date-rapey aspects aren’t obvious in the lyrics, they sure are in the choreography and performances.
It’s also interesting to see the entirely different tone taken depending on whether the Wolf is a man or a woman. The man feels that the woman owes it to him. Meanwhile, the implication the other way around is that the man is a fool for refusing the woman’s advances. (Indeed, the male Mouse is the only one to actually walk out the door, but then walk right back in, and is also the only one who winds up on the bottom at the end.)
Regarding the “Famous Duets” involved, some names people may know now and some maybe not, but this clip features Ricardo Montalbán and Esther Williams, and then Betty Garrett and Red Skelton. You might know one of them as the not-Benedict Cumberbatch Khan. Esther and Red were A-listers in their days, while Betty wound up comfortably in character actor territory.
At this point, Skelton had a well-established career as a radio star — consider him the equivalent of a YouTube influencer of the era. Everybody knew who he was, even if they weren’t used to seeing him in the medium of film.
Meanwhile, Williams had been recruited from a career as an Olympic swimmer, and then was groomed and trained to be an actress while making a name for herself as a pin-up model — a career path that is still common today.
This was one of Montalbán’s earlier films after establishing himself as a star in Mexican cinema, and it was his second with Williams. Think Gael Garcia Bernal or, to go a bit further back, Antonio Banderas, although he was Spanish, not Mexican.
Finally, Garret had managed to get noticed on Broadway while an understudy gig for Ethel Merman put her on stage for a whole week, and she wound up in Hollywood as a contract player for MGM, which put her in this musical not long after she arrived in town. Eventually, she wound up in television, where she’s probably better known from numerous series, including 70s and 80s biggies like All in the Family, Laverne & Shirley, Murder She Wrote, and The Golden Girls.
But you can’t dismiss the awful undertones of this song. After all, it ultimately led us to 9/11 happening. No, really.