New Year’s Countdown, December 30

With New Year’s Eve tomorrow, there’s still time for one last bit of holiday weirdness — Mariah Carey meets Radiohead.

T-Minus 2

I know Christmas is over but I happened to run across one more very interesting variation on All I Want for Christmas Is You. No fancy visuals with this one. It’s all about the words and music, with a mash-up of Mariah’s hit and another unlikely hit of another decade that fits it surprisingly well.

Watch from the beginning, or see the previous post.

Christmas Countdown, Friday #5

As we hit Christmas Eve, what more appropriate way to end it with Mariah Carey Friday and her original version of that famous Christmas song?

Day 29

This is the last Friday before Christmas as well as Christmas Eve, and the fourth and last video on this theme — All I Want for Christmas Is You. It’s only fitting, after all the covers, that we bring it into the station with the diva herself, Mariah Carey. She released it over 25 years ago, right before Halloween 1994, and it was the lead single from her fourth studio album and first holiday album, Merry Christmas.

She’s also covered her own song several times, including for her second holiday album in 2010, Merry Christmas II You, and again in 2011 as a duet with Justin Bieber for his holiday album Under the Mistletoe. And countless other people have recorded it in the ensuing two and a half decades as well.

Like I originally described it, you can think of the song as “Mariah Carey’s Retirement Plan.” I’ll have another famous artist’s retirement plan song coming up soon although, sadly, they never made it to retirement. And there may be one more surprise in the works when it comes to All I Want for Christmas Is You.

Check out the my favorite cover of this song, the previous post, the next post, or the first post on this theme and in this series.

Christmas Countdown, Friday #4

Christmas Countdown Friday is Mariah Carey Day. Here’s Fifth Harmony’s version of that famous Christmas hit.

Day 22

Friday means that it’s time for another cover of Maria Carey’s All I Want for Christmas Is You. This time around, here’s a lovely performance by the group Fifth Harmony. Enjoy!

Check out the my favorite cover of this song, the previous post, the next post, or the first post on this theme and in this series.

Christmas Countdown, Friday #3

Christmas Countdown Friday: All I Want for Christmas Is You, but this time in a minor key.

Day 15

It’s time again for another cover of Maria Carey’s retirement plan, aka All I want for Christmas Is You, but this is one that shows the power of music in creating a mood. It’s the same song and same lyrics, but now it’s in a minor key, and that makes all the difference.

Here is Chase Holfelder’s take on the song.

And yes, this whole thing feels like it was ripped right from the soundtrack of Annette.

A few years ago, Schmoyoho did the same thing with the song All Star, made famous by the Shrek franchise, but again the mood here is totally different. Likewise, check out KestrelTapes minor key version of Toto’s Africa. Same effect.

The reasons for this aren’t totally clear, but it is a cultural thing because people who grew up with harmonic systems outside of Western music probably don’t hear it the same way.

A year or so ago, I learned the theory behind something that I’d just known instinctively for years as a musician, but had never thought about. The concept of Major and minor really only depends on two sets of two notes.

Western music has eight note names: A, B, C, D, E, F, and G. The G is followed by A. The distance between each of these notes is considered a full step, so there are eight notes in any regular scale.

But the Western chromatic scale has twelve tones.

That’s because all of the notes can be either raised or lowered half a step. In the former, they become “sharp,” designated with what we now call the hashtag: A#, B#, C#, etc. When they’re lowered, they’re said to be “flat,” designated with what almost looks like a lowercase “b”: Ab, Bb, Cb, etc.

So that should give us fourteen notes, right? You’d think, but there’s a trick to it.

The intervals in a normal Major scale go whole step, whole step, half step, whole step, whole step, whole step, half. In the simplest Major scale, C, which has no sharps or flats in its key signature (don’t worry about that here), the notes are C, D, E, F, G, A, B, C.

And, indeed, from C to D and D to E, and then from F until you hit B, everything is a whole step.

But E to F and B to C are half steps. If you ever look at any kind of musical keyboard, you’ll see that the black keys come in a group of two, then a group of three, and this is a precise visual representation of the Major scale. Where you see two white keys together, it’s that half step — and on the keyboard, the pair after the first two whole steps are E and F, while the pair after the next three are B and C.

The important notes in the scale, though, are the 1st, 3rd, and 5th, which are often referred to as I, III, V. The three together make up a simple Major chord, and you’ll notice that between the first two, C and E, there are two whole steps. But… from the E to the G, it’s only a step and a half E to F is a half step, F to G is a whole step.

The I is the important note, though, and the I-III relationship defines the Major. So how do you get a minor out of that? Simple. Turn it into I-IIIb. In other words, the notes are now C and Eb, which work out to whole step (C-D) and half step (D- Eb).

Most likely, the psychological effect is that it feels like the expected goal did not get reached. We started out on that happy climb up two whole steps to the happy key, but then missed and, literally, fell flat.

Here’s the other interesting part of it. Every key has a relative minor, and it’s the key that starts on the notes one-and-a-half steps down from it. In the case of C, that note is A, because going backwards, C-B-A is half step down, whole step down.

And when you start on A but the notes are A, B, C, D, E, F, G, A, then the pattern becomes whole, half, whole, whole, half, whole, whole. It really changes up the order of everything, so no wonder it deceives the ear.

The unanswered question is why one note order always seems upbeat and happy, while the other seems downbeat and sad — and it may have as much to do with our own creation and development of music as anything inherent in the notes.

Interestingly, though, the pentatonic scale, which may have existed in ancient Greek music (we just don’t know) but which is also common in Asia — and, in fact, is the stereotypical scale used in the West to instantly indicate “Japan” — has five notes, and the intervals vary depending on where you start, but they are whole step, one and a half, whole step whole step, one and a half.

You can play this using any starting point you want on a piano, but you can do it automatically by only playing the black keys. And here’s the really interesting part: You can play any or all of those keys in any combination or order, even all at the same time, and nothing sounds dissonant at all.

Note, too, that the C Major scale is only the white keys, while only the black keys make up a pentatonic scale. I don’t know that that has anything to do with anything, but it is a fascinating thing nonetheless.

Check out the previous post, or the next.

Christmas Countdown, Friday #2

For Christmas Countdown’s second Friday, we bring you Out of the Blue Oxford’s rendition of All I Want for Christmas Is You.

Day 8

Remember, this day’s theme is All I Want for Christmas Is You, and this is absolutely one of my favorite covers of it for a ton of reasons. This one is from Out of the Blue, described on their website as Oxford’s premier all-male a cappella group, and they regularly do charity singles like this for the benefit of Helen & Douglas House Hospice for Children and Young Adults.

Go show them some holiday donation love right now! I’ll wait!

The other nice thing about OOTB is that over the years they have become more and more inclusive. This video only hints playfully at accidental gayness. Their more recent videos don’t hold back or apologize for anything. This one is just tons of cute and adorable, plus these boys can sing and dance. And for a good cause.

Don’t miss Thursday’s post, or Saturday’s!

Christmas countdown: Friday’s Theme

Countdown to Christmas begins with a gender-bending dance interpretation of Mariah Carey’s All I Want for Christmas is You.

Continuing my tradition from last year, since it’s now the day after Thanksgiving, time for the annual Christmas Countdown.

Day 1

Friday’s theme is “All I Want for Christmas,” aka “Mariah Carey’s Retirement Plan.” I’ll be sharing different takes on her instant Christmas classic. Hey, if you’re going to write a song to cash in on the holiday, at least make it a good one, okay?

This video became an instant favorite of mine when I first stumbled across it. It combines the song with some amazing choreography and a little gender-bending.Choreographed by and Starring Alex Karigan and Zac Hammer, members of Amy Marshall Dance Company. Beyond that and the name they use, The Yahs Initiative, I don’t know much more about the performers or video, other than that most of their videos are Christmas themed, and they haven’t posted anything in three years. Enjoy!

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