It’s been just over a year since the world turned upside down and we all went into lockdown. In a lot of ways, though difficult, it’s actually also been a real growth experience.
And even as the world is trying to reopen right now, I can’t help but think that this is the absolute wrong decision. Nowhere near enough people have been vaccinated yet, even though the Biden administration is doing an amazing job of it, and certain Red States are really whiffing it and just reopening willy-nilly and going maskless.
We’re already seeing infection rates resurge in places like Texas and Florida. Oops.
While I lost one job and my beloved activity of improv completely in 2020 because of the plague, I only lost the other job from March through early July, although the unemployment I got was ridiculous thanks to that $600 weekly Federal payment — most of which may now actually be tax exempt. Hooray!
In fact, I was making more unemployed than I had been employed.
Around the end of 2020, I picked up a sweet freelance writing gig that only lasted for three months because after that, they hired me as a full time employee — Lead Content Creator — and after having lost a former dream job at the end of 2017 and having scraped through three years of blowing through my savings, failing to start a freelance career, and winding up in an interesting but low-paying office job, everything turned around.
Having always worked in entertainment or entertainment adjacent, my life has been a constant series of ups and downs that work like this: When they let me create, they pay me out the wazoo, and life is good. When they only pay me to help the creatives, the pay is shit, and life is shaky.
This concept is probably typical of many businesses, but is also perhaps more extreme in entertainment. Non-creative? Yeah, here’s fifteen bucks an hour, technically, but it’s really fifteen times forty, even if you wind up working sixty hours or more. Sorry!
Creative? Great. So for this one project you do for us, whether it’s writing or directing a one-hour episode, we’re going to pay you about twice what those peons make in a year, but you’re only going to work on it for maybe six weeks max, if not less.
Oh… did we mention that you get residuals, meaning that we throw money at you every time it re-airs anywhere? And depending on the contract and venue, some of those residuals can be damn close to what you made on the original project.
Yeah, I managed that pinnacle exactly once, and I’m still getting residuals to this day from it, and they’re aren’t trivial.
But… back to that new job, as an artist, one thing is the most gratifying of all, and that’s to watch as your bank account grows by the month and you realize, “Oh, wow. I don’t have to worry about how I’m going to pay for this necessary thing,” and it is such a relief of all the burdens artists usually face.
Car broke? Oh, wait. Got that!
Dog is sick? Oh, hey, no problem.
Kid needs braces? Okay, here’s a check…
And why artists would face any of these problems ever is beyond me. In reality, we should pay our creators what they’re worth. Some wonderful people do. Too many don’t.
But, truth to tell, if you want the greatest art from your great artists, be patrons, free them the fear of wondering where their next meal or home is coming from, and bask in the joy of their creation.
But then extend this beyond artists, and to everyone. It’s not just about eliminating poverty. It’s about ending economic anxiety. Now, what’s that? Simple. It’s the worry that some unexpected expense is going to make it really difficult to pay the necessary expenses.
In other words, this applies to people who are not below the poverty line, but still are basically living paycheck to paycheck, so that at the end of any given month, after paying for rent, food, utilities, healthcare, and kids or pets if they have them, they barely break even.
If their car suddenly needs a major repair or the computer they rely on for work or school craps out, or their phone turns into a brick, they’re fucked, and it becomes a game of, “Okay, what don’t I pay for this month?”
Either that, or let me put it all on this high-interest credit card, and then just pay the minimum.
We only think that debtors’ prisons ceased to exist.
So what we really do need is a universal basic income which is keyed to the particular region it’s being paid in, and it’s enough to cover all of those basic expenses plus about ten percent as a buffer. The people getting it are free to work jobs and earn up to twice that basic on top of it, at which point it starts to taper off so that no one who works and makes more actually makes less, but once someone makes enough to not need it all, it’s gone.
A funny thing happens when you suddenly take away economic anxiety and give people the means to take care of their basic expenses along with the assets to cover more. They tend to go out and spend the money because they don’t have to worry anymore at all.
Contrast with giving tax cuts to the wealthy. All they do is stick it into some investment account, where the only person benefiting would… them. That’s the fallacy of “Trickle-Down Economics.” Nothing trickles.
What does work is “Bubble-Up Economics.” Give the money to the people who need it, and they will dump it into the economy big time. This, in turn, creates jobs, props up local businesses, and brings things roaring back.
This was certainly the case when I was getting the Super-Plus Unemployment last spring and summer, and was able to take care of a couple of really unexpected expenses without worrying, along with making a couple of investments in personal business tech. And from the beginning of the COVID lockdown to date, I have not missed a single rent payment, so there’s that.
I’ve managed to weather the storm and come out in a great position on the other side but, again, I don’t think we’re out of the woods yet. And I’ve gotten really used to the idea of working from home, rarely going out, and masking when I do. Considering that my job is now 100% remote, I might even finally consider moving somewhere that I’d actually be able to afford to buy a house.
Or… I hear that all you have to do to be able to immigrate to Panama is to put US$ 5,000 in a bank account, and the last few months have suddenly made that pocket change. Yeah, it might get really hot and wet over the next few decades due to climate change, but at least I speak the language.